Looking Back at Indochine, The Lover, and Dien Bien Phu: Justifying Panivong Norindr’s Phantasmatic Indochina
Abstract: In 1992, three French film productions were released: The Lover (L’Amant) directed by Jean-Jacques Annaud, Indochine directed by Regis Wargnier, and Dien Bien Phu directed by Pierre Schoendoerffer. An analysis of the three films’ […]